Gallipoli

Gallipoli is a 1981 movie directed by Peter Weir.

Gallipoli tells the story of two Australian sprinters who find themselves in the deadly trenches of World War I. Mark Lee is the wide-eyed, idealistic Archy – whose sense of patriotism leads him to join the war effort. Gibson plays the scheming, charismatic Frank – who initially resists becoming a soldier. Their relationship leading up to the climatic battle scene forms the majority of the movie. Weir reveals a youthful innocence and brotherhood between the two – along with sexually suggestive tones.

THE BEST – Races

Weir expertly frames his movie around Lee’s Archy training for a hundred yard dash. Bill Kerr’s Jack is excellent as Archy’s demanding trainer – he strives to shave fractions of seconds off Archy’s time. This detail returns as Archy has to motivate himself to enter the battlefield. Meanwhile, Gibson’s Frank serves as a “runner” during chaotic trench warfare. Every second counts as Frank desperately relays vital information to the commanding officers. It’s a tense, well-crafted scene.

THE WORST – Doppelgängers

It’s completely petty but Jack McBrayer is the spitting image of Mark Lee. While Lee’s Archy is endearing and captures the youthful innocence of a soldier about to be slaughtered by a deadly war, sometimes I could only see Kenneth the page.

FOX FORCE FIVE RATING – 4/5

Gallipoli is a patient, thoughtful war movie that focuses on the humanity behind soldiers. In a sense, we hardly think of either Lee or Gibson as soldiers – which adds a potency to the climactic final scenes.

The Bird With the Crystal Plumage

The Bird With the Crystal Plumage is a 1970 movie directed by Dario Argento.

WHAT HAPPENS?

An American witnesses a murder in Rome before becoming a target of the killer.

ONE LINE REVIEW

The Bird With the Crystal Plumage is a stylish Giallo thriller that features fun acting and quirky characters.

THE ACTORS

Tony Musante plays Sam, an American novelist who performs an amateur investigation into a series of murders. Despite threats on his life – along with his girlfriend – Musante’s character remains affable and obsessed with solving the mystery, exhibiting an odd calm throughout.

Suzy Kendall’s Julia is excellent as Sam’s girlfriend – who is pulled deeper into danger as the mystery evolves. In many respects, we view terror through Kendall’s expressive eyes – as Musante’s character leads the killer to Suzy. Perhaps the movie’s best – and most tense – scene occurs as Kendall’s Suzy is trapped in her apartment as the killer tries to enter.

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The Gambler

The Gambler is a 1974 movie directed by Karel Reisz.

WHAT HAPPENS?

A literature professor chases the thrill and destruction of his devastating gambling addiction.

ONE LINE REVIEW

The Gambler is a honest and often difficult look at the impulsive nature of a gambler.

THE ACTORS

James Caan is compelling as Axel Freed, a professor who constantly seeks the “juice” of betting. It’s a unique role for Caan – as he balances his character’s wealthy upbringing and intellectual background with an impulse for seedy action. Caan’s natural fire emerges in several scenes but is tempered during moments with Jacqueline Brookes’ Naomi. Caan appears both enabled and wounded – a victim of both his grandfather’s success and his warped addiction.

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