The Killing is a 1956 crime movie directed by Stanley Kubrick. The movie’s style, tone and characters likely influenced Tarantino’s Reservoir Dogs , Pulp Fiction and Jackie Brown.
The Killing tells the story of Johnny Clay, a recently freed criminal, who orchestrates a plan to rob a local horse track of potential millions. He recruits five other men to help him pull off the job. However, one of the men tells his wife of the plan – which leads to another scheme and an eventual explosive ending, which sees everything go up in smoke.
It’s clear that this movie was an inspiration for Tarantino (and probably dozens of other writer/directors). The characters in Reservoir Dogs borrow their toughness and quirkiness from The Killing, along with some classic dialogue exchanges and a violent shootout towards the movie’s climax. A younger Tarantino could have also been influenced by the way Kubrick plays with the narrative structure and puts an emphasis on time during the movie’s second half. Along with Reservoir Dogs, Pulp Fiction, Jackie Brown and The Hateful Eight all employ similar linear storytelling traits.
The movie starts with Sterling Hayden’s Johnny Clay meeting up with Fay, his girlfriend. Hayden instantly commands the screen: it’s clear this is his story. He doesn’t allow Fay much intimate space and her only real dialogue points to her low self-esteem. She claims she isn’t smart or pretty and seems to only exist through Clay’s orbit. A similar relationship is shown with Marvin, the oldest of the criminal group, who initially appears to serve as a father figure. However, his actions are similar to Fay in that he appears in awe of Johnny’s presence.
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