Burn!

Burn! is a 1969 movie directed by Gillo Pontecorvo.

Burn! tells the story of Sir William Walker, a British mercenary who helps an Antilles island gain its independence – before returning years later to remove its leader from power. Marlon Brando gives a solid performance as Walker, who mentors Evaristo Marquez’s Jose – before later turning on him. Brando plays his character with a cynicism and wit – he’s essentially a puppeteer hired by forces greater than him. At times, Brando appears disinterested, however we see glimpses of the actor who would emerge in later legendary roles.

THE BEST – The Monologues

Brando’s most memorable moments come as he addresses the island’s governors and Jose, the rebel leader. In his aloof, aristocratic delivery, Brando compares slavery to marriage. He later warns Jose that revolts outlive their need. As their relationship worsens and Jose’s influence grows, Marquez’s character ponders his own fate: “Have I become so dangerous?”

THE WORST – President Sanchez’s Bronzer

Renato Salvatori’s Sanchez is installed as the provisional government’s leader – at least until he overestimates his power. It’s a role easily overshadowed by Brando and Marquez. However, the amount of fake tan applied to Salvatori is spectacular.

FOX FORCE FIVE RATING – 4/5

At times, Burn! appears to be more message than movie. However, Pontecorvo delivers a daring and socially conscious story – using the intriguing Brando-Marquez match and a cast of hundreds to establish some gritty realism.

On the Waterfront

On the Waterfront is a 1954 movie directed by Elia Kazan.

WHAT HAPPENS?

A dock worker is forced to stand up to the powerful, corrupt union bosses who essentially control his life.

ONE LINE REVIEW

On the Waterfront is an extraordinary display of precise movie-making and dynamic acting.

THE ACTORS

Marlon Brando effortlessly inhabits Terry Malloy, a former boxer whose life is reliant on Lee J. Cobb’s Johnny Friendly, a powerful union leader. Brando beautifully exhibits the frustrations and regret of a powerless character who has submitted to fate. The appearance of Eva Marie Saint’s Edie awakens Terry’s desire for life and challenges his courage. Brando reveals his character’s tenderness and repressed hopes in a remarkable performance.

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The Wild One

The Wild One is a 1953 movie directed by Laslo Benedek.

The Wild One tells the story of Johnny, the leader of a rebel motorcycle gang. The bikers invade a small town and cause havoc, before the locals fight back – leading to an unfortunate end.

It’s hard to separate this movie from both its lead actor and the cultural impression forged by its release. While nostalgia may color this view, The Wild One is emblematic of 1950’s cinema and more specifically, classic teenage angst.

Marlon Brando became a pop culture icon and a symbol of rebellion, which unfortunately overshadows what is a terrific, nuanced acting performance.

In this sense, the movie’s most memorable line can be easily disposable: “What are you rebelling against? What do you got?” Underneath this dialogue is a storm of emotions, confusion and violence that Brando delicately represses.

Brando’s intensity is unrivaled but what’s also impressive is how he locks onto his character’s insecurity and mistrust of the world. When he fails to lessen any emotional attachments to Mary Murphy’s Kathie, he immediately acts to remove himself from the situation.

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