City on Fire is a 1987 movie directed by Ringo Lam. Its’ style, characters and story were huge influences on Tarantino’s Reservoir Dogs.
City on Fire tells the story of Chow, an undercover cop, who infiltrates a band of diamond thieves. Chow is pushed further into the group’s plans and becomes a sort of pawn stuck between two police inspectors. The movie ends with a botched robbery and the group sorting out the chaos that has ensued.
Heading into this project, City on Fire was high on my list of movies to review. I had read about the connections between the movie and Tarantino’s Reservoir Dogs – including the controversial opinion held by some that City on Fire was directly copied. After watching the movie, I can see the obvious similarities between the works.
However, I’m not sure either City on Fire or Reservoir Dogs could ever remain exclusive. The two movies perfectly complement each other.
Of course, there is no Reservoir Dogs – at least in its existing form – without City on Fire. The Chow and Fu relationship serves as the model for Mr. Orange and Mr. White in Reservoir Dogs. Mr. Orange is playing a role similar to Chow – albeit the two characters and actors inhabit completely different energies. Similarly, the bands of jewel thieves in each movie exhibit their own unique criminal styles and ultimately follow a similar path to their respective downfalls. And of course, the endings to each movie are dramatically similar.
However, I strongly feel that what Tarantino did with City on Fire is very similar to what he has done over his entire filmography: he takes really cool pieces of movies and pop culture and frames them within his own storytelling universe. Over nearly 30 years, we’ve seen him mature in this process to the point that Once Upon a Time in Hollywood is an unquestioned masterpiece of movie making. Naturally, this process takes time.
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