The Tarantino Influences: Django

Django is a 1966 movie directed by Sergio Corbucci. The music, themes and style were inspirations on Tarantino’s Django Unchained, Hateful Eight, Reservoir Dogs and Once Upon a Time in Hollywood.

Django tells the story of a mysterious drifter who drags a coffin through town and ends up in the middle of a bloody feud between Southern confederates and Mexican revolutionaries. He battles both groups, using his secret weapon of destruction. Along the way, Django rescues a prostitute and attempts to leave with a bounty of gold.

The main influence on Tarantino can be found in the most glorious theme song of all time.

Behold the grandeur….

Django has a lot going for it but this introduction is the clear high point of the movie. The song is hypnotic – it’s a grand, soaring, even powerful presentation of a mysterious drifter dragging a coffin through mud. Take the song away and you still have an intriguing visual but it loses its potent flavor. This theme is strictly reserved for a dynamic hero – which defines Django for most of the movie.

Tarantino borrows the theme song and gives it to his Django, who proves to be a more worthy hero than the original. We also see the great lettering and font in Tarantino’s version and clearly there is an homage to mud. Of course, mud isn’t exclusive to either movie – but in Django, its presence fills the background similar to snow drifts in other spaghetti Westerns.

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The Tarantino Influences: The Great Silence

The Great Silence is a 1968 Western directed by Sergio Corbucci. Considered to be his finest work, the movie appears to have influenced Tarantino’s The Hateful Eight and Django Unchained.

The uniqueness of a Western in a snowstorm is striking – the movie’s opening is an expansive shot of a snowy trek, which illustrates the struggle of all involved. The horse can’t find its footing and both animal and rider are defeated by the conditions. It’s a gorgeous opening not in a majestic way but rather because it signals a gritty, unpolished tone to follow. There is both a bleakness and beauty in the landscape – something that Tarantino emulates in The Hateful Eight and Django Unchained.

For a movie that’s ultimately defined by its viciousness, the opening is campy. A newly hired sheriff encounters a group of hungry bandits that have been pushed into the wilderness. The sheriff appears hopeless from the start – first in an odd one-off scene with the Governor of Utah and then as the bandit crew spares the sheriff’s life in exchange for his horse – which they solely want to eat. The bumbling, freezing sheriff is then picked up by a carriage, which carries the movie’s protagonists in Silence and Loco.

The plot’s origins are a bit convoluted as Loco and the town’s Justice of the Peace are engaged in a shady murder for bounty scheme. Silence arrives in town due to a letter sent to him by a young widow who wants to exact vengeance for her husband’s death at the hands of Loco. It’s a bit comical to see the protagonists in such close proximity and makes the movie’s first 30 minutes far-fetched. However, we know we’re headed for a showdown between the two leads.

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The Quentin Tarantino Movie Rankings

Quentin Tarantino movies have now been a part of my life for 25 years. I recently decided to take the time to rewatch and rank all nine of his movies – mainly because I wanted to see if tastes have changed and really, because why not? I’m far from a movie critic and I’m not concerned about film theory or anything like that. These are my personal rankings.

1. Once Upon a Time in Hollywood (2019)

2. Pulp Fiction (1994)

Without Pulp Fiction, I would have never known that movies existed. Of course, I was aware of movies and sometimes went to the movies. However, movies were a passing interest – something easily detachable. Pulp Fiction changed that. I had no idea that something could be so cool, original, fun, violent, hilarious – let alone a movie.

What I later learned was that Pulp Fiction was an entry to everything that made it cool, original, fun, violent and hilarious – all the little movie, TV and pop culture references that shaped Tarantino’s vision. Because of this one movie, I discovered hundreds more and all the wormholes attached – great directors, cool actors – all the influences both great and awful. I learned movie history from Anthony Cocca 49 cent general rentals and in each one, there’s some path that leads you back to Pulp Fiction.

Naturally, I’ve followed Tarantino ever since. And naturally, the movies have changed. Tarantino is still innovative, writes killer dialogue, creates visually stunning environments and is remarkably – still cool. I’ve loved all of his movies but I would always go back to Pulp Fiction as his best work. Or at least my favorite.

Maybe nostalgia informs this ranking – there’s a comfort in the characters, the soundtrack, the moments – being in the Warren Twin Cinema and for the first time experiencing a Royale with Cheese, personality going a long way or “I shot Marvin in the face!”

But then again, maybe there’s more to nostalgia.

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