Tag: kill bill

The Tarantino Influences: Branded to Kill

Branded to Kill is a 1967 movie directed by Seijun Suzuki. It’s style, non-traditional structure and quirky characters could have served as inspirations for Tarantino’s Reservoir Dogs, Kill Bill and Inglorious Basterds.

I’ll start this review with a disclaimer: I try to enter these movies blind. I don’t do any research prior to viewing nor do I read any criticism. This is a learning process for me and I don’t others’ views clouding my own opinions.

Having said that, I know I’m missing something with this movie.

On one hand, Branded to Kill is a weird, visual fun house that is both hilarious and hopelessly dark. On the other hand, it’s an elaborate mess featuring a cast of sincerely unlikable characters. It’s a fascinating blend of styles and bending of genres. Branded to Kill is an art house, existential Yakuza movie that forces you to do some heavy lifting. There’s a lot to invest in here, yet the payoff is lacking.

Branded to Kill tells a fairly simple story. Hanada, a hit man, fails to complete an assignment, which leads to him falling out of favor with his organization. He is then tracked by another hit man, which leads to a final showdown. Along the way, the story’s main character is involved in tortuous relationships with two different women.

Hanada is the #3 hit man in what appears to be a Yakuza organization. Early in the movie, he is defined as “a pro”, which stands in contrast to another associate, who is a bumbling, erratic drunk. The contrast is striking and interesting later in the movie, when Hanada begins to portray a similar character. At times, Hanada is fascinating and endearing. Initially, he exhibits an almost unreachable level of cool – he flaunts post-modern 1960’s style and a puffy faced look of nonchalance. Hanada is quirky too. In a running gag, he wants to surround himself with the aroma of rice, which serves as an aphrodisiac of sorts.

However, the luster of Hanada’s appeal is quickly lost after seeing his interactions with his wife, Mami. The relationship is mostly physical and features a lot of brute force. Hanada is aroused by the smell of boiling rice, then violently slaps Mami – which in turn gets her aroused. They have endless sex by continuing this loop. There’s no real communication between the two outside of sexual aggression. Later in the movie, Mami comments that “beast needs beast” before shooting Hanada. Yet even as he staggers around bleeding, it’s virtually impossible to sympathize with Hanada. He is an extraordinarily unlikable character.

Continue reading “The Tarantino Influences: Branded to Kill”

The Tarantino Influences: The 36th Chamber of Shaolin

The 36th Chamber of Shaolin is a 1978 kung fu movie starring Gordon Liu. The movie’s beautifully designed fight sequences and vibrant look and sound were influences on Tarantino’s Kill Bill.

The 36th Chamber of Shaolin tells the story of San Te, a student who is coerced into resisting the brutal Manchu regime. After surviving a vicious Manchu attack, San Te escapes in pursuit of the Shaolin school, where he is determined to learn martial arts. After a year of performing menial tasks, San Te begins his training and gains wisdom and skills through enduring the school’s 35 chambers. Upon completing the 35 chambers, San Te is given a choice of which chamber he wants to lead. He breaks from Shaolin tradition by wishing to introduce a 36th chamber, one that would provide Shaolin teaching to the outsiders being victimized by the Manchus. San Te is forced from the Shaolin school and returns to his home, where he leads a band of rebels against the oppressive Manchu forces.

You can see the influence the movie had on Tarantino through its various training sequences. San Te progresses through the school’s 35 chambers and performs tasks and skills similar to Beatrix in Kill Bill. In particular, the knife skills shown in The 36th Chamber of Shaolin are a heavy influence, as well as starring actor Gordon Liu’s ubiquitous presence in both movies.

I’m not ashamed to admit it: I had no idea Gordon Liu played both roles in Kill Bill.

There’s a great scene early in San Te’s training where he is attempting to balance on logs floating in water. He is soaking wet and starving and his teacher taunts him with a bowl of rice, which is continually dropped. Hunger is a great motivator, as San Te learns his first lesson on the importance of speed, balance and weight. The scene is a great full-circle moment later found in Kill Bill, when Beatrix is struggling with the chopsticks and Liu’s Pei Mei throws her bowl to the ground in disgust. Liu is excellent as a young San Te, who is impulsive and clumsy, yet eager to learn. His personal growth through the movie is formulaic yet it’s rewarding to watch him emerge as a master.

Continue reading “The Tarantino Influences: The 36th Chamber of Shaolin”

The Tarantino Influences: Lady Snowblood

Lady Snowblood is a 1973 movie that follows a young woman seeking revenge on her family’s murderers. From its female heroine to its style, setting and themes of vengeance and redemption, this movie is a clear influence on Tarantino’s Kill Bill.

It’s obvious that Lady Snowblood was a huge influence on Tarantino’s Kill Bill. The original features a female assassin out to avenge her family’s murder at the hands of an evil killer group. The idyllic snowy setting, use of animation and stylish flashbacks in Lady Snowblood are directly honored by Tarantino. You can quickly glance the following trailer and figure out which parts of the movie were Tarantino’s favorites.

The movie opens with a cryptic scene that shows Lady Snowblood’s mother struggling to give birth in a prison. We learn that her mother was raped by a group of criminals, who also murdered her husband and son a year prior. She conceives Lady Snowblood solely for her to be raised to exact vengeance. After a long struggle, the mother gives birth and then dies.

We later see a young Lady Snowblood receiving training from a priest and then becoming a dangerous assassin. She finds herself in a destitute village, where she enlists the leader of a beggar group to find the four criminals responsible for her family’s deaths. Eventually, she tracks down three of the four murderers.

Along the way, she is helped by a journalist who publishes sensational articles of Lady Snowblood’s exploits. This leads to a final showdown with Gishiro, who is the most powerful of the remaining criminals.

The film’s second scene establishes Lady Snowblood as a deadly force. She quickly defeats a local crime boss and his three henchmen – using her concealed umbrella sword. We immediately learn Lady Snowblood is coldly efficient and dispassionate. Or in other words, she’s an assassin. The setting is directly reminiscent of Tarantino’s House of Blue Leaves. It’s snowy, serene and if the scene had more time to develop, could probably be considered a beautifully meditative environment.

Continue reading “The Tarantino Influences: Lady Snowblood”

The Quentin Tarantino Movie Rankings

Quentin Tarantino movies have now been a part of my life for 25 years. I recently decided to take the time to rewatch and rank all nine of his movies – mainly because I wanted to see if tastes have changed and really, because why not? I’m far from a movie critic and I’m not concerned about film theory or anything like that. These are my personal rankings.

1. Once Upon a Time in Hollywood (2019)

2. Pulp Fiction (1994)

Without Pulp Fiction, I would have never known that movies existed. Of course, I was aware of movies and sometimes went to the movies. However, movies were a passing interest – something easily detachable. Pulp Fiction changed that. I had no idea that something could be so cool, original, fun, violent, hilarious – let alone a movie.

What I later learned was that Pulp Fiction was an entry to everything that made it cool, original, fun, violent and hilarious – all the little movie, TV and pop culture references that shaped Tarantino’s vision. Because of this one movie, I discovered hundreds more and all the wormholes attached – great directors, cool actors – all the influences both great and awful. I learned movie history from Anthony Cocca 49 cent general rentals and in each one, there’s some path that leads you back to Pulp Fiction.

Naturally, I’ve followed Tarantino ever since. And naturally, the movies have changed. Tarantino is still innovative, writes killer dialogue, creates visually stunning environments and is remarkably – still cool. I’ve loved all of his movies but I would always go back to Pulp Fiction as his best work. Or at least my favorite.

Maybe nostalgia informs this ranking – there’s a comfort in the characters, the soundtrack, the moments – being in the Warren Twin Cinema and for the first time experiencing a Royale with Cheese, personality going a long way or “I shot Marvin in the face!”

But then again, maybe there’s more to nostalgia.

Continue reading “The Quentin Tarantino Movie Rankings”