The Conformist

The Conformist is a 1970 movie directed by Bernardo Bertolucci.

WHAT HAPPENS?

An Italian man, Marcelo, is coerced by the Fascist government to kill his old teacher, now an anti-fascist dissident living in Paris. Marcelo comes to terms with a complicated past, which affects his relationship with two women – one his fiance, the other the dissident’s wife.

ONE LINE REVIEW

The Conformist is an intriguing political thriller encased in gorgeous cinematography.

THE ACTORS

Jean-Louis Trintignant is quietly fascinating as Marcelo, a man who we never fully know. He’s a slightly timid Fascist party operative reluctantly about to marry Stefania Sandrelli’s Guilia, who he dismisses as “all bed and kitchen.” As the movie progresses, he becomes enamored with Dominique Sanda’s Anna – the dissident’s wife. Later, we’re given glimpses into Marcelo’s past, which includes some homosexual activity. Trintignant blends all these facets to create a complex character – he’s both bold and bewildered in moments and stoic and frozen in others.

The supporting cast is excellent, including Sandrelli and Sanda. The two perfectly contrast each other – Sandrelli’s Guilia is daft and bubbly, while Sanda is initially all smoke and swagger – and fully aware of Marcelo’s motives. Their chasm of difference is striking, yet Bertolucci draws them together during a memorable, vibrant dance scene. Others involved include Gastone Moschin, who plays Fascist spy Manganiello with a deft comedic touch.

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Fernando Di Leo’s Milieu Trilogy

Caliber 9 (1972), The Italian Connection (1972) and Il Boss (1973) are movies directed by Fernando Di Leo.

WHAT HAPPENS?

Caliber 9 tells the story of Ugo, a former gangster who is forced back into the criminal life. The Italian Connection follows Luca, a pimp who is framed for stealing a shipment of heroin. Il Boss is the story of Lanzetta, a hitman who finds himself in the middle of warring Mafia families.

ONE LINE (Actually, TWO Lines) REVIEW

The highlight of Fernando di Leo’s trilogy is Caliber 9 – a terrific, hard-boiled crime movie. The Italian Connection is a clunky mess, while Il Boss is long-winded but features the best action of the three.

THE ACTORS

Gastone Moschin plays Ugo Piazza with a hardened, but zen-like quality. Ugo doesn’t say much but his words matter. The strength of the character lies both in his blunt physical prowess and acceptance of his unfortunate situation. He’s squeezed between the Mafia and police but doesn’t make excuses. Moschin’s choice as a lead actor is intriguing – his jagged, scarred face would suggest otherwise, but he gives a uniquely effective lead actor performance.

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