The Conformist

The Conformist is a 1970 movie directed by Bernardo Bertolucci.

WHAT HAPPENS?

An Italian man, Marcelo, is coerced by the Fascist government to kill his old teacher, now an anti-fascist dissident living in Paris. Marcelo comes to terms with a complicated past, which affects his relationship with two women – one his fiance, the other the dissident’s wife.

ONE LINE REVIEW

The Conformist is an intriguing political thriller encased in gorgeous cinematography.

THE ACTORS

Jean-Louis Trintignant is quietly fascinating as Marcelo, a man who we never fully know. He’s a slightly timid Fascist party operative reluctantly about to marry Stefania Sandrelli’s Guilia, who he dismisses as “all bed and kitchen.” As the movie progresses, he becomes enamored with Dominique Sanda’s Anna – the dissident’s wife. Later, we’re given glimpses into Marcelo’s past, which includes some homosexual activity. Trintignant blends all these facets to create a complex character – he’s both bold and bewildered in moments and stoic and frozen in others.

The supporting cast is excellent, including Sandrelli and Sanda. The two perfectly contrast each other – Sandrelli’s Guilia is daft and bubbly, while Sanda is initially all smoke and swagger – and fully aware of Marcelo’s motives. Their chasm of difference is striking, yet Bertolucci draws them together during a memorable, vibrant dance scene. Others involved include Gastone Moschin, who plays Fascist spy Manganiello with a deft comedic touch.

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Z

Z is a 1969 movie directed by Costa-Gavras.

Z tells the story of a right-wing military government’s attempt to cover up the death of a left-wing activist. The truth slowly unravels during an investigation but also leads to dangerous consequences. Jean-Louis Trintignant plays Le juge d’instruction, who attempts to uncover the corruption. His performance is dynamic and efficient, yet the character is ultimately forced to realize the limits of his pursuit. Marcel Bozzuffi and Renato Salvatori are brilliant as Vago and Yago, the colorful henchmen hired to pull off the murder.

THE BEST – Trintignant’s Interrogations

The highlights of the movie involve Trintignant’s character getting closer to the truth. While the character appears as an efficient, devoted government employee, he craves the moments of verbal sparring that occur. Trintignant gives an extraordinary look when he catches Vago in a trap – one that leads to a significant break in the investigation.

THE WORST – The Epilogue

This isn’t a worst in terms of moviemaking, but rather a realization of how brutally oppressive bureaucratic government machines can act. Everyone on the side of justice in the case suffers, while those responsible for injustice are barely bothered. It’s certainly an indictment of corrupt systems – a reality unfortunate in 1969 and today.

FOX FORCE FIVE RATING – 4/5

Z can drag at times but it’s an important and brave movie – both in 1969 terms and today. The acting is sharp and there are some stylistic flashes that make the movie visually appealing. It’s definitely worth a watch.